Every time he goes out of this house he shakes my hand and he kisses you. Advertising executive Jim Blandings (Cary Grant) discovers his wife Muriel’s (Myrna Loy) plan to redecorate their cramped New York apartment which they share with their two young daughters. He proposes instead that they move to rural Connecticut. She agrees, and the two are soon conned into buying a 200-year old farmhouse that turns out to be a complete nightmare. Construction and repair bills accumulate quickly as the house has to be torn down and completely rebuilt, and Jim worries that their future hangs in the balance unless he can come up with a catchy new jingle that will sell ham while Jim’s friend and lawyer Bill (Melvyn Douglas) steps in to help and spends the night with Muriel during a thunderstorm … Written and produced by comic experts Norman Panama and Melvin Frank adapting Eric Hodgins’ 1946 bestseller, this is a terrific example of Grant and fellow screwball player Loy in their prime. They have marvellous chemistry. Director H.C. Potter handles the action and slapstick beautifully while the marital woes are worked out architecturally. Loy’s paint scheme scene is a classic and Douglas is a hoot as the friend. Watch for Lex Barker as a carpenter. With a score by Leigh Harline and crisp photography by James Wong Howe this is prime post-war RKO fluff. Anyone who’s made the mistake of buying and remodelling a fixer-upper will relate! Hint: don’t do that, watch this instead. It’s a lot cheaper.