Highly entertaining documentary about the exploitation/trash maestro who had ambitions way beyond his pay grade. We hear from a variety of his alumni and the man himself, his brother Gene (another producer), his wife (and fellow producer) Julie and former assistant Frances Doel, among many others, about how the engineer who got screwed over money on the movie The Gunfighter decided to put on a show himself and debuted with The Monster From the Ocean Floor. By the time he made The Wild Angels he was directing his 100th movie which is stunning. He meant the world to Jack Nicholson who made his debut with The Cry Baby Killer – and then didn’t work again for a year! Nicholson describes Corman as his ‘lifeblood’ and bursts into tears. Corman kept him in work and gave him writing and acting jobs for a decade before he made his breakthrough with Easy Rider – which wouldn’t have happened without The Trip, which Nicholson wrote and it starred Peter Fonda and Dennis Hopper: AIP wouldn’t make Easy Rider with Hopper and it went on to make history – as well as pots of money (as it were…) There are great clips of all the era’s material but the best storytelling comes from William Shatner recalling the personal jeopardy the Cormans experienced during the making of The Intruder, that fierce discourse on integration. The seventies stuff – crazy funny movies like Hollywood Boulevard and Rock ‘n’ Roll High School is interspersed with really good interviews with Allan Arkush and Joe Dante and we learn about Corman’s own personal viewing tastes, choosing to distribute great films by European auteurs through his own company. The big studios took his formula and made multi-million dollar versions of Fifties exploitation content that made his name so he moved more fully into straight to video. There is no mention of the studio he set up in Ireland in the Nineties – presumably on grounds of taste. Nor of his big studio movie from 1993, Frankenstein Unbound, his last directorial outing. Personally I’d like to have seen Monte Hellman speak about their collaborations but instead we get Paul WS Anderson and Eli Roth. That’s showbiz! Directed by Alex Stapleton.