Dolittle (2020)

Dolittle

The doctor is back. Eccentric Dr. John Dolittle (Robert Downey Jr) lives in self-imposed solitude behind the high walls of his lush manor in 19th-century England. Devastated by the death of his wife Lily (Kasia Smutniak), his only companionship comes from an array of exotic animals that he speaks to on a daily basis. But when little Lady Rose (Carmel Laniado), accompanied by young orphan Tommy Stubbins (Harry Collett), asks him to assist young Queen Victoria (Jessie Buckley) who has become gravely ill, the eccentric doctor and his furry friends embark with Stubbins, now his new apprentice, on an epic adventure to a mythical island to find the cure. He is pursued by Dr Blair Müdfly (Michael Sheen), a jealous medical school rival who is conspiring with evil courtier Lord Thomas Badgley (Jim Broadbent) to kill the monarch. However he must don a disguise to fool his former father-in-law, the wild brigand King Rassouli (Antonio Banderas) who still resents Dolittle for taking away his beloved late daughter. And to obtain the cure for the Queen of England, Dolittle must do battle with the mythical dragons that lie in his way but Müdfly gets there before himI’m too beautiful to die. A remake of the legendary 1967 musical flop (and Eddie Murphy’s 1998 dissociative iteration) based on Hugh Lofting’s Victorian friend of the animal world, from a screen story by Thomas Shepherd, this is written by director Stephen Gaghan & Dan Gregor & Dan Mand & Chris McKay. From squid and stick inset spies, to a parrot narrator (Emma Thompson), a gorilla answering the door and Downey essaying every accent in the British Isles while attempting to alight occasionally in Wales, this is a creature feature of a different variety. Unfairly maligned, this is mild entertainment determinedly pitched at a kiddie audience. It skips through a vaguely sketched plot that even has an Innermost Cave taken from the Hero’s Journey story model, giving Sheen mugging opportunities in another Blair-ite role; while Frances de la Tour has her impacted CGI dragon colon relieved in a leek-induced surgery clearly meant for bottom-obsessed children. This is wonky but it has a good heart and some inappropriately contemporary linguistic efforts to befriend an ethnic audience using a big-name voice cast for the CGI animals (including Ralph Fiennes as a troubled tiger called Barry, Rami Malek, Octavia Spencer, Selena Gomez, Kumail Nanjiani), plus some of that toilet humour to ruffle the feathers. It’s far from a masterpiece but you know that already and Downey is, well, Downey. For some of us that’s plenty, even when his charm is severely tested talking down to the youngsters. Team work is dream work

Rampage (2018)

Rampage 2018.jpg

What are you, some kind of international man of mystery? Primatologist Davis Okoye (Dwayne Johnson) a man who keeps people at a distance but shares an unshakable bond with George, the extraordinarily intelligent, incredibly rare albino silverback gorilla who has been in his care since he rescued the young orphan from poachers in Africa. They joke in sign language. A rogue genetic experiment gone awry in outer space with the deadly pathogen falling into wildlife parks in California and Florida and mutate this gentle ape into a raging creature of enormous size. There are other similarly altered animals – starting with a grey wolf who takes out the soldiers sent to kill him. As these newly created alpha predators tear across North America, communicating via sonar and destroying everything in their path, Okoye teams with discredited geneticist Kate Caldwell (Naomie Harris) to secure an antidote, fighting his way through an ever-changing battlefield to halt imminent catastrophe commencing among the skyscrapers of Chicago.  Luckily his training in Special Forces gives him the ability to confront the dangers they face but he must also save the now fearsome creature that was once his friend….. Of course – a wolf that can fly!  Or, gorilla goes ape, in this interspecies mutant/hybrid cross between King Kong and Godzilla only it’s neither as serious nor as silly as those classics. The third collaboration between Johnson and director Brad Peyton (which presumably qualifies as a kind of auteurist effort) this starts in a space station with a giant rat, an explosive scene sequence which used up a lot of the FX budget and shards of an exploded rocket with this dangerous pathogen wind up all over the shop, as you do. Hence the shonky CGI mayhem. Jeffrey Dean Morgan turns up as a good ol’ boy Other Government Agent (I always knew they existed) and after their plane is wrecked by a growing George, he and the big friendly giant (The Rock) and Harris go after the brother and sister gene manipulator team (Malin Akerman and Jake Lacy) responsible for this lunatic experiment. Adapted from an Eighties video game, by Ryan Engle and Carlton Cuse & Ryan J. Condal and Adam Sztykiel, this is never quite as fun as it should be but you might just shed a tear from that rheumy worldweary eye at the fight to the death. If animals hate you they eat you. You always know where you stand