Bad Neighbours 2 (2016)

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Aka Neighbours 2:  Sorority Rising.  They’re back! Well, everyone’s gone and grown up. Sort of. Opening on a horribly vomitous sex scene, Seth Rogen and Rose Byrne realise they’re having another baby. They’re trying to sell their house and it’s in escrow now which they do not understand even when the realtor tries to explain. All they know is their toddler daughter keeps playing with a pink dildo in front of people. Meanwhile, Zac Efron’s bestie Dave Franco is getting married. To a guy. So he has to move out of their place and has nowhere to go – except back to the old frat house, where some bolshie girls led by Chloe Grace Moretz want to set up an alt-sorority so they can party righteously. He mentors them until they dump him while he’s lecturing them (they do it on their phones). So he teams up with Seth and Rose to get rid of the girls in order that their house sale goes through. There ensues … total mayhem! Screamingly funny, flat out gross out, hilarious, physical, bad taste comedy. Five buckets of money, that’s all you need. For anything! Party on, rad dudettes! Written by Seth Rogen, Evan Goldberg, Andrew Jay Cohen, Brendan O’Brien and director Nicholas Stoller.

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Goat (2016)

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Not being a) male or b) someone who feels compelled to join anything, the appeal of fraternities is admittedly beyond my ken. However this account of Brad Land’s initiation to his older brother Brett’s Phi Sigma Mu house at the end of the 1990s is worth a look, if only to illustrate the desperate measures men take to prove themselves. Brad (Ben Schnetzer) is brutally mugged over the summer and is still feeling the after-effects when he goes to Clemson. The hazing he endures during hell week is overseen by Brett (Nick Jonas) who is conflicted about his entry to the group and it includes being ordered to either drink a keg or have sex with a goat. The devastation that occurs following one seemingly innocuous fruit-pelting incident brings matters to a head, as it were. Adapted from Land’s memoir by David Gordon Green with a rewrite by Mike Roberts and director Andrew Neel, this won’t make you feel much different about these nonsensical and violent rituals but Schnetzer and Jonas both give good performances and this is really a story of brothers and what it takes to bring them back together after a mugging drives them apart. There is no real sense of the outside world or sense prevailing, no view of the college at large or other interactions – except partying with some dumb drunk girls. James Franco was instrumental in getting this made and has a supporting role as a big man no longer on campus but keen to get his top off. And just look at those pecs in the titles sequence! Homo sapiens?! (I’m being ironic, obv. Unlike the participants.)