The movie is about fragmentation. It IS fragmentation. Seventy-eight camera setups and fifty-two cuts. Alexandre O. Philippe’s documentary about the most famous scene of all time in movies is a crowdpleaser – its subject is familiar to everyone. Starting with a ‘remake’ of Janet Leigh’s rainy drive to the infamous Bates Motel it settles into a series of interviews with a diverse range of commentators – from Eli Wood to Eli Roth, Walter Murch to Peter Bogdanovich, Danny Elfman to Guillermo del Toro, Stephen Rebello to Marli Renfro, Leigh’s body double, who offers intriguing insights into the week-long filming process. The archive footage includes other Hitchcock films as well as TV interviews and excerpts from The Alfred Hitchcock Hour. The contemporary interviews place the film in the vanguard of the culture and as part of a lifelong battle Hitchcock had with the censors – it’s pointed out that his previous film, North By Northwest, concludes in a phallic train entering a tunnel; Psycho commences with a post-coital look between Leigh and John Gavin. It is also part of a disorienting cinematic process about space invasion and lack of safety, a film that literally changed how we watched films, and not just because by showing a toilet flush for the first time on the Hollywood screen Hitchcock wanted to remind us how our lives can just randomly go down the drain. Providing deft visual analysis (with great insights into the use of the jump cut), production information and ideas about the score, this is intensely interesting for the buff, the geek, the movie freak and even the seven year old daughter of one of the interviewees who has never seen the film but likes to make the knife action while imitating Bernard Hermann’s shrieking violins. That’s how influential this is. It’s obvious that Janet Leigh has to survive!