The Virgin Suicides (1999)

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Jeffrey Eugenides’ novel about a family of five sisters who kill themselves was original, nuanced and heartfelt. Sofia Coppola chose it for her writing and directing debut and on the face of it, and what she’s done since, she makes us know what it feels like for a girl. The portrait of the middle class neighbourhood is nicely satirical and hints at her interest in making the later milieu film, The Bling Ring;  the woozy Seventies summertime impressions are just right; that eye for detail (all the stuff on their dressing tables!) totally accurate. In retrospect, this is slighter than it appeared at the time, with a certain vacuum at the centre where emotional rationale might have been, a large question mark regarding the parenting skills of James Woods and Kathleen Turner, a chip missing where we try to gauge the sisters’ motivations. Perhaps that’s the point. The romance between the most beautiful and elusive of the sisters, Lux (Kirsten Dunst) and high school heart throb Trip (Josh Hartnett) is well done and it’s his narration in rehab 25 years later that anchors this in something resembling real life, even if it’s a tangle of memories seen through a narcotic haze. Meanwhile, a bunch of teenage boys gaze in awe at this beauteous timebomb about to implode across the street. There’s (obv) an amazing soundtrack, with a score by Air.

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Grosse Pointe Blank (1997)

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This is the one where the hitman developing a conscience goes home to give romance a second shot. In fact, it’s one of the best films of the 90s. It’s a very black comedy about high school, life, killing, babies, music and all that kinda good stuff. John Cusack is Martin Blank, the troubled contract killer who’s persuaded by his assistant (played by sister Joan Cusack) to attend his 10-year high school reunion in Grosse Pointe. She says of her own, “it was as if everyone had swelled.” When he discusses it with his traumatised psychiatrist (Alan Arkin), he asks what he’s supposed to say to people there: “I killed the President of Paraguay with a fork, how have you been?” He has a job in Detroit so he can kill two birds with one stone as it were –  so decides to go home for the first time in a decade. Mom is on lithium in a home for the bewildered. His house has been taken over by a supermarket and a killer on his tail blows it up. The girl he stood up at prom (Minnie Driver) is now the local DJ and has a killer soundtrack (courtesy of Joe Strummer) but insists on bitch slapping him live on air before they can get together. And there’s another hitman, Grocer (Dan Aykroyd) who has a bone to pick with him over crossing his path and wants him to join a union. Tom Jankiewicz wrote the story and did the screenplay with additions by Cusack, D.V. DeVincentis (currently on producing duty on the compelling TV drama The People Vs. OJ Simpson) and Steve Pink. There is fun to be had with the supporting cast, including Jeremy Piven, Hank Azaria and in a tiny role, Jenna Elfman (where is she now?) This is one great curveball of a movie and it’s directed by George Armitage who you might recall did the terrific Miami Blues. And if there’s a message, it’s probably a bit Thomas Wolfe: yes, you can go home again, but you probably shouldn’t.