Starman (1984)

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You’re not from round here, are you? I hate to think how long it’s been since I first saw this. C’est la vie, une longue fleuve tranquille! Two of the most charming actors imaginable, Karen Allen and Jeff Bridges, run the gauntlet of officialdom led by the kindly Charles Martin Smith and bad cop Richard Jaeckel when he crashlands on Earth (Wisconsin, to be precise) and mutates into her late husband.  He has three days to meet up with his spaceship in Arizona or stay grounded forever …  Director John Carpenter lends his considerable heft to the mise en scene of one of the gentlest alien films while the transformation scenes are created by the great Rick Baker, Stan Winston and Dick Smith.  It’s blessed by beautifully considered performances in the best meet cute ever. The scenes in Vegas are great fun. Written by Bruce A. Evans and Raynold Gideon with an uncredited rewrite by Dean Riesner, the soundtrack is composed by the estimable Jack Nitzche. Lovely!

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My Friend Irma Goes West (1950)

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The famous radio sitcom gets another big screen go-round in this diverting entertainment whose principal attraction is the Lewis-Martin team, sidekicks to wannabe card sharp John Lund, Hollywood actress Wilson and singer Lynn. Lewis’ goofy scenes with a chimp are very funny and even the PC crowd will forgive him for redding up as an Indian. (Lewis, that is.) With gangsters, kidnapping, a loony tunes fake producer, TV stardom, and a typically good music track by Leigh Harline. Written by Cy Howard and Parke Levy, directed by Hal Walker.

Bob & Carol & Ted & Alice (1969)

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Comedian turned screenwriter (I Love You Alice B. Toklas) Paul Mazursky spent a weekend at the Esalen Institute with his wife and wound up writing a five-page treatment with Larry Tucker (they wrote the pilot for The Monkees) about a filmmaker and his wife whose lives are changed by just such an experience and what happens between them and their friends when they put what they’ve learned there into practice. This elegant satire of New Age mores, the counterculture and late Sixties open-mindedness hasn’t lost its power, its humour or indeed its touching qualities. The casting is everything:  Natalie Wood and Robert Culp as the gullible couple; and Elliott Gould and Dyan Cannon as their friends who suffer their own psychological crises as a result of too much information, are all fantastic;  it’s impossible to pick between them since each conveys the truth of the situation in compelling fashion.  Each performs a perfect mix of comedy and drama, specific, controlled and authentic. There are some truly stomach-churning scenes of oversharing. What a directing debut for Mazursky! And it all ends in highly ironic fashion to the sounds of Jackie DeShannon warbling What The World Needs Now is Love!

One From the Heart (1982)

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It’s fair to say that Francis Ford Coppola’s follow up to the majestic decadent symphony to insanity that was Apocalypse Now was never going to get an easy ride. Even my very young self was pretty derisive at my local cinema upon its release. Thirtysomething years on it has a passion and yearning at its centre that cannot be denied. The studio evocation of Las Vegas is unbelievably impressive, Terri Garr is sweet as the girlfriend of Frederic Forrest, who just doesn’t understand romance and the dialogue was improved by the late, lamented Luana Anders. Another almost-classic by the great man distinguished by its steadicam photography (by Garrett Brown) and a unique song cycle from Tom Waits sung by him and Crystal Gayle. Nastassja Kinski would be paired opposite Harry Dean Stanton once again in Paris, Texas.